Bet A Lot and Gain A Bit in Craps
If you consider using this scheme you want to have a very large bankroll and amazing discipline to march away when you generate a small win. For the benefit of this story, an example buy in of $2,000 is used.
The Horn Bet numbers are surely not judged the "successful way to compete" and the horn bet itself has a house edge well over 12 %.
All you are playing is five dollars on the pass line and a single number from the horn. It does not matter if it is a "craps" or "yo" as long as you play it always. The Yo is more dominant with gamblers using this scheme for obvious reasons.
Buy in for $2,000 when you sit down at the table but put only $5.00 on the passline and one dollar on one of the 2, three, 11, or 12. If it wins, fantastic, if it loses press to $2. If it loses again, press to $4 and then to $8, then to $16 and after that add a $1.00 every time. Every time you do not win, bet the previous value plus a further dollar.
Adopting this scheme, if for instance after 15 rolls, the number you bet on (11) has not been tosses, you likely should walk away. Although, this is what possibly could develop.
On the tenth roll, you have a total of one hundred and twenty six dollars on the table and the YO at long last hits, you come away with three hundred and fifteen dollars with a take of one hundred and eighty nine dollars. Now is a good time to walk away as it is a lot more than what you joined the game with.
If the YO does not hit until the 20th roll, you will have a complete investment of $391 and seeing as current bet is at $31, you win $465 with your gain of $74.
As you can see, employing this scheme with only a $1.00 "press," your gain becomes tinier the more you gamble on without winning. This is why you should step away after a win or you have to wager a "full press" once again and then continue on with the $1.00 boost with each roll.
Crunch some numbers at home before you try this so you are very adept at when this approach becomes a non-winning proposition instead of a winning one.
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